Othello - Manipulation To Gain Power :: essays research papers

Othello: Manipulation To Gain Power     Control is an incredible word. Individuals utilize this strategy regularly to get what they need throughout everyday life. By misdirecting individuals or fooling them into seeing a specific perspective, individuals gain power. To dexterously utilize the intensity of control an individual must utilize someone else's shortcomings. By utilizing an individual's feelings against them, they can be controlled easily. In Shakespeare's Othello, the character of Iago utilizes these strategies nearly to flawlessness to accomplish his objectives. 	The first scene of Act I represents Iago's utilization of control. Iago realizes that Roderigo is vexed about losing Desdemona to Othello. Iago himself resents Othello for being ignored for advancement to lieutenant for Michael Cassio. Understanding that by playing on Roderigo's desire he can increase a partner to neutralize Othello. Iago does this in an unobtrusive way. He discloses to Roderigo that he was left behind for advancement by Othello. While doing this he makes Othello look mediocre by strengthening the way that he is a Moor. By calling attention to that Othello is a Moor Iago causes Roderigo to turn out to be much increasingly envious, as a result of the way that he lost Desdemona to somebody who he feels is of a lesser race. It even appears that Iago is playing with Roderigo when he uncovers that he is an extortion when he says, "I am not what I am." (I.i.62) By utilizing these strategies, Iago has nearly dealt with Roderigo. 	Iago utilizes an alternate strategy to control Brabantio. He changes Brabantio's perspective on marriage of his girl Desdemona to Othello. He rises and shines Brabantio by saying "Awake! What, ho, Brabantio! Cheats! Criminals! Look to your home, your little girl, and your packs! Hoodlums! Thieves!" (I.i.76-78) By saying this, Iago demonstrates another point of view to Brabantio by hinting that Othello has taken his girl. Iago strengthens this when he say's, 		Zounds, sir, y'are looted! For disgrace. Put on your outfit! 		Your heart is blasted, you have lost a large portion of your spirit. 		Even now, presently, very now, an old dark smash 		Is tupping your white ewe. Emerge, emerge! 		Awake the grunting residents with the ringer, 		Or else the fallen angel will make you a grandsire of you. 		Arise, I state! (I.i.83-89) In the wake of hearing Iago speak, Brabantio has had his eyes open to another point of view of the circumstance. Iago at that point starts to utilizes another manipulative technique, he begins utilizing inhumanity to depict Othello.